Astro-Physics Traveler vs. Takahashi FS102
In Search Of Excellence
by Ed Ting
The AP Traveler and the Takahashi FS102
Excellence is a concept that means many things to many different people.
For some, it's the mellifluous roar of a German engine as it speeds its
occupants down the autobahn. For others, it's the taste of freshly-
steamed Maine lobster, dipped in just-churned and melted butter. And
for still others, it's the sound of a plucked or bowed Stradivarius, or the
warm harmonic overtones of a Steinway.
In the astronomical world these days, excellence is defined increasingly
by the apochromatic refractor. These telescopes are often sought after
by astronomers who have paid their dues: they've outgrown smaller achro-
mats, and perhaps have done a Herschel tour or two with a large reflector.
The 4"-class apochromats have flourished in recent years, and it's not hard to
see why. With 4" of aperture, some of the fainter deep-sky objects are just
coming into view. Planetary performance can be superb, especially with the
right conditions and a good set of eyepieces. The aperture isn't quite large
enough to be bothered by less-than-perfect seeing, and urban dwellers won't
get an eyepiece full of skyglow from their backyards. If you need to travel,
the scope is still portable. Finally, the price, while high, is still within reach
of most incomes, and the flattening curve of diminishing returns and sky-high
prices for the larger lenses hasn't taken over yet.
Two of the most popular and sought after apochromatic refractors on the
market today come from Astro-Physics and Takahashi. While there are
similarly excellent scopes from other manufacturers, it's these units that
are most commonly mentioned as attainable objects of desire.
You expect a lot at this level. You expect optical excellence. You also
expect nice fit and finish, attention to detail, a dose of personality, and a
sense of permanence, for these are not disposable telescopes. These
things you get, and more, from Astro-Physics and Takahashi.
I'd spent time with Travelers before, and I've owned an FS102 for about a
year now, so it was high time to put these natural competitors head-to-head,
to see if any consensus occurred. Here are the results.
Japanese Excellence: The Takahashi FS102
Takahashi's new "FS" generation of fluorite apochromats replace the older
"FC" models. The difference, other than adding 2 mm to most aperture ranges,
was that the fluorite element got moved to the front (every other similar design
puts the fluorite element in the rear.) According to Takahashi, the advent of
new hard multi-coatings (said to be even harder than the glass itself) allowed
this change. Some feel it's just a marketing move, but no one can deny the
excellent performance of these units.
The scope is incredibly well-finished. There are 8 knife-edge baffles inside,
and the focuser is so buttery-smooth it's a pleasure to use (when I first got
the scope, every time I changed eyepieces I would root for the focus position
to change just so I could use the focuser. I am a geek, I am a geek, I am a
Handsome and serene, the FS102 typifies modern Japanese
The scope (102 mm f/8), at $2625 list, comes finderless. The 6X30 unit I bought
costs a whopping $150 -- I complained until I used it. It's sharper and brighter
than many 8X50 units I've seen. Also, the locking screws and the bracket are
so solidly built that the alignment hasn't wandered one iota in the year I've been
transporting the scope around.
To its credit, Takahashi does not seem to be the least bit concerned about revealing
the company's Japanese heritage. Large characters appear in several places on the
OTA, and some of them are left untranslated. I guess you just use your imagination.
The quality is apparent even in this photo.
Remember, don't look at the sun!
There are no locking screws; Takahashi uses compression rings, which distribute
pressure more evenly around the eyepieces. A superb 1.25" diagonal is supplied.
The little diagonal cap, and the cast-iron dust cover for the objective are way over-
built. The lens "cap" might as well be a miniature manhole cover.
I use the FS102 mounted on a Super Polaris. Vixen's 114 mm rings happen to
fit the OTA perfectly, so there was no additional drilling/tapping required. For
photographic use, however, I'd suggest a GM8, or stronger.
The Takahashi exhudes an air of serenity and peacefulness. The white tube
and lime green highlights were chosen, it is said, to remind one of lily pads in
a koi pond, or a Japanese tea ceremony. I like that. The scope is handsome
in an understated way, and usually draws a small crowd wherever it goes. If
it were a car, it might be a Lexus - quiet, serene, and meticulously engineered.
Once the exclusive property of the Texas Nautical Repair Company in Houston, TX,
Takahashi now lists several dealers for its products. Some have been known to give
discounts in the past; ask.
The cost of a rig similar to mine (OTA, finder, rings, SP mount) will set you back
about $3300. If you use Takahashi's recommended EM2 mount, the price jumps
to around $4700.
Yankee Ingenuity and Excellence: The Astro-Physics Traveler
This is perhaps the hottest scope on the market right now. With a one year
(or longer) waiting list, a kind of black market has emerged, with used units
selling at or above list price.
Good Guys Wear Black? The AP 105 EDFS
What all the fuss about? It's the Astro-Physics Traveler, the smallest
(4.1" f/5.8) refractor in the AP lineup. Listing at $2400, the Traveler is
cute as a button, exquisitely-made, and provides impressive performance
in a small package. If it were a car, it might be the new Mercedes SLK.
The objective of the Traveler is an oil-spaced triplet that, on the samples
I've seen, is completely color-free, an impressive achievement for an f/5.8
optical instrument. Curiously, there are no push-pull screws, or adjustments
of any kind, on the lens cell (luckily, I've never seen one with less than
As with the Takahashi, the coatings on the Traveler's lenses are dark, dark.
It's like looking into a black hole down there. It is very difficult to see a
reflection of yourself in the lens, even with light behind you.
Like the FS102, the Traveler is extensively baffled. However, instead of
using knife-edge baffles, the Traveler has a number of small "ridges" that
line the inside of the tube.
The Traveler is a compact package. It is hard to put into words just how
tiny this telescope is. Perhaps a photo would help:
The entire Traveler, including OTA, rings, mounting plate, 2" diagonal, Star-
beam finder, and some other stuff, are packed away in that little black padded
bag. This scope could follow you around the world, if you wanted it to.
The machining and workmanship are absolutely first-rate. Like the Takahashi,
it's far better-built than it has to be. I do feel, however, that the focusers on
the Takahashi units are better-executed, despite the gorgeous finish on the AP
focusers. My fingers (even gloved) tend to slip while focusing AP scopes.
The Traveler's enormous success seems to have sprung out of nowhere, but Roland
Christen has been building state of the art apochromats since the mid-1980's. The
original 4" f/6 scope (then called simply the "4 inch Tube Assembly") was housed
in a plain white tube and sold for $795. The 5" f/6 sold for $995, and the 6" f/8
listed for $1295 (makes you wish you had a time machine, doesn't it?)
It took a few years, but by around 1990, word had gotten out about the superb
refractors coming out of Rockford, IL., and within a short period of time, it
seemed as though everyone wanted one.
Unlike the serene-looking Takahashi, the Traveler has a purposeful, business-like
poise about it. Just looking at one makes you want to go observing. I am getting
into an area that I cannot fully explain, but the Traveler has an emotional appeal
to it that is largely missing from the Takahashi.
The cost of the OTA, with MaxBright diagonal, Starbeam finder, and AP400 mount
with the Davis & Sanford tripod is about $5100. Ouch. If that's too much, you
can also mount the 9 lb OTA on a Super Polaris, or on TeleVue's Gibraltar mount
and knock the cost down to the $3200-$3500 range.
Let's go observing!
For comparisons, I used the FS102 on the Super Polaris, while the Traveler spent
time aboard its matching AP400 mount and the D & S tripod. The Tak rig takes
only about 5 minutes to set up, but the Traveler's setup is more involved. Assem-
bling the equatorial head and putting the parts of the scope together took nearly
twenty minutes. I joked briefly to the Traveler's owner that the Tak rig must be
better, since you spend more time looking through the scope instead of setting it
up. As it turned out, the joke was to be on me later on. But first things first...
Once set up, the Traveler grows quite substantially in size. A dew shield extends
out from the objective, and the diagonal adds bulk to the rear end. A serious-
looking dovetail assembly on top of the OTA holds the Starbeam, or other finder.
The entire assemblage equals the FS102/Super Polaris rig in terms of bulk, and
outweighs it by a good margin. I felt as if I had just watched a magician pull
a rabbit out of a hat.
This Traveler has virtually perfect optics. No false color, no spherical aberration.
At high power, I thought I detected a trace of overcorrection, but it was slight
at most. In contrast, the FS102, while nearly perfect, had a trace of under-
Also, on the limb of Jupiter, I noticed a tiny touch of false color in the FS102,
which seemed independent of the eyepiece used. This wasn't entirely notice-
able until I looked at the Traveler at the same object and at the same magnifi-
cation. I had noticed the trace of color on my FS102 in the past, but had
chalked it up to the "complicated" eyepieces I tend to use. Seeing these
same eyepieces in the Traveler revealed no false color whatsoever.
Both scopes showed an impressive amount of detail on Jupiter and Saturn.
The lenses seemed to be "bottomless pits" for magnification - every time we
thought we had maxed out on power, the scopes seemed to ask for more.
Unfortunately for me, the wind was particularly strong early that night. At
powers above 117X, the image would waver unacceptably. In fact, the gusts
were so strong that a nearby 10" f/6 equatorially-mounted Newtonian nearby
broke loose from its declination lock and came swinging down head-first into
the ground. I had to hold on to my scope to keep it from toppling over.
During all this, the Traveler barely budged. The image would shake a bit during
gusts, but most of the time the views were rock-steady. The AP400 mount is
roughly the same size as the Super Polaris, but it is far more substantial in
build, and operates with a silky-smoothness that has to be seen to be believed.
In fact, I came away from the evening just as impressed with the mount as with
the scope itself.
Fortunately, the wind died down in a half hour or so, leaving clear, calm
skies, and the Takahashi was back in the game.
On Saturn, the scopes were nearly identical. Saturn is half the apparent size
of Jupiter, so a good barlow lens is essential when looking at it through the
Traveler. The FS102 doesn't need a barlow until you get above 170X, the mag-
nification when using a 4.8 mm Nagler. Despite all the extra glass in the way,
the Traveler's images competed well with the Takahashi's. Call it a draw.
On deep sky, the Traveler is a fun scope. Put in a 35 mm Panoptic, and
you can sweep the sky at only 17X. With a 2" OIII filter, all sections of the
Veil are possible. Getting the whole Veil is a stunt you can pull with a
Ranger/Pronto or an Orion Short Tube, but the Traveler is sharper, gathers
more light, and is simply a more substantial telescope all around.
The Takahashi also excels on deep-sky. With its inherently larger image
scale and higher magnification per given eyepiece, it's a bit easier to knock
back the sky glow and pick out those elusive dim objects. Of course, since
the Traveler takes magnification so well, it's easy to reproduce this result
by simply raising the power on it. You just have to use smaller eyepieces.
As a result of all this, both scopes performed well in unexpected areas. You
would expect the Takahashi to excel on planets, but because the Traveler takes
high magnification so well, it performs equally well (perhaps even more so, due
to its superior color correction.) You expect the Traveler to excel on deep sky,
but the FS102 makes up for its narrower FOV by providing a darker sky back-
ground per given eyepiece. Both scopes are testaments to superb engineering.
To put all of this in perspective, we briefly compared the scopes to two other
fine 4" refractors present, a Vixen-based C102, and my new-found non-sdf
Renaissance. Both of the achromats showed some purple fringing on Jupiter.
Neither is particularly objectionable (at least to me) but compared to the
Traveler or the FS102, the false color was immediately noticeable.
Also, when doing low power sweeps, the apochromats remained both sharp and
dark out to the edges of the field of view, while both achromats showed some
elongation and some brownish brightening as you approached the field stop.
I also found that the focal planes of the more expensive scopes were easier to
find; that is, objects snapped tightly into focus at a certain position on the
focuser, that was it, no doubt about it. The achromats, on the other hand,
while both very good in this regard, took a bit longer to find focus. Finally,
the AP and Takahashi scopes were impressively contrasty - stars were pure
white against a pitch black background.
Want an example? NGC404, the little galaxy next to Beta Andromedae, stood
out quite prominently in the Traveler and the FS102 (don't ask me to pick between
them, I can't.) In the Renaissance, I could still see the galaxy, but I had to hunt
The same results were repeated with NGC6207 next to M13 in Hercules. Des-
pite being low on the horizon, the apos picked it out cleanly from the skyglow; it
was questionable in the Renaissance. And before Al Nagler jumps all over me, I
should point out that the newer sdf Genesis and Renaissance models will be a lot
closer in performance to the AP and Tak scopes. I just didn't have one handy.
I post these comparisons because I get a lot of questions from achromat owners
wondering if these apochromats are worth the high asking prices. Yes, there is
an improvement, yes there is a difference, and no, I don't know if it's worth
it to you. You have to decide that for yourself. If you're in the market for
a modern apo, look through one before buying.
At the end of the evening, we broke down the scopes. Again, I noticed a rather
significant difference in break down times. By the time I had both the Takahashi
and the Renaissance packed away, the Traveler and its mount were still only
partially disassembled. I should point out, this situation had not eluded the
Traveler's owner, who does keep a TeleVue Gibraltar mount handy for quick
viewing. In any event, it was fun to watch the Traveler do its disappearing
act into its little black bag.
The AP Traveler eagerly awaits sunset
So, call it a close draw. Both the FS102 and the Traveler are superb telescopes.
The Traveler has a slight edge in color correction, although some may prefer the
larger image scale of the Takahashi. As I went back and forth between them, I
found that my favorite was the one I had just looked through. Of the four ob-
servers present, two preferred the Traveler, and two favored the FS102.
I think I'll stick with my Takahashi, but I admit, there were times during the
night when I was tempted to order a Traveler for myself. Both scopes are
enthusiastically recommended. Looking for excellence? You've found it.
End Traveler/FS102 Face Off